Showing posts with label marriage. Show all posts
Showing posts with label marriage. Show all posts

Tuesday, November 29, 2011

Flashman - Chapter 4



Chapter 4 of Flashman is a real game changer for the character and the series in general. It is for me anyway, it also has the introduction of one of my favourite characters, not just in this series, but in fiction generally.

Harry is in Scotland and he doesn’t much care for the place. The climate is wet and the people are rude. I found it amusing that Flashman calls someone else rude, when he himself is so terribly rude to everyone, unless he can see some sort of opportunity in being polite. He’s in Scotland because the working class are sick and tired of being underpaid, overworked and poorly treated in general and are rising up against the ruling class. Flashman, who at this stage of his life, has only a rudimentary grasp of anything outside his own life, is on the side of the factory owners and aristocracy. He is however concerned about the enlisted men, as most of them come from similar backgrounds to the oppressed workers and he’s not entirely certain of their allegiances should push come to shove.

As an officer, Flashman is billeted with a local factory owner by the name of Morrison. Morrison is a miserable, hypocritical, cowardly penny pincher. He reminds me of Ebenezer Scrooge, as Flashman seemed to associate with many literary types it’s entirely possible that Dickens did base his famous miser on the Scottish factory owner. Unfortunately for Morrison he has 4 daughters. Flashman’s reactions on meeting the girls are as follows: Agnes, buxom and darkly handsome - she would do. Mary, buxom and plain - she would not. Grizel, thin and mousy and still a schoolgirl - no. Elspeth was like none of the others. She was beautiful fair-haired, blue-eyed and pink-cheeked, and she alone smiled at me with the open, simple smile of the truly stupid. Despite Flashman’s description of Elspeth as being stupid, I think it was love (lust?) at first sight.

In an effort to have his wicked way with Elspeth Morrison, Flashman plays the manly, dutiful British army officer for the family until he can get his chance. The opportunity arises when there’s a riot in the town and only Elspeth and her father are at home. Harry offers to escort Elspeth to safety in Glasgow, although he does observe that the girl is unconcerned about any possible danger, seemingly more interested in admiring her reflection in the window than in being spirited to safety.

It is a pleasant evening, and the scenery along the Clyde is nice. One thing led to another, and Miss Elspeth Rennie Morrison became the latest notch on Harry Flashman’s bedpost. Flashman did note that for a novice Elspeth seemed very willing and quite able. Her innocence shows when she inquires if that they had just done could be referred to as fornication and why the minister seemed so set against it. It didn’t bother our ‘hero’ that he had just deflowered a beautiful young woman who didn’t really understand what they were doing, but more that not realising the enormity of the act she could blithely confess it to her mother 'Mama, you'll never guess what Mr Flashman and I have been doing this evening...’ . By and large something of that sort does occur and in the face of an angry, but ineffectual Morrison, Flashman feels it is best to move lodgings.

He hasn’t been out of the Morrison household all that long when a flinty eyed lawyer by the name of Abercrombie calls on him. He’s Elspeth’s uncle and demands that Flashman marry the girl, or be called out. Initially Flashman refuses and tries to bluff his way out of the situation by bringing up his reputation as a duellist. Abercrombie is a no nonsense type, who can see Flashman for what he is and will be only too pleased to accept a challenge on behalf of his niece’s honour. Realising that he could be in trouble, and with no one like Bryant to call on, Flashman reluctantly agreed to marry Elspeth, although her uncle seemed to really look forward to the opportunity of publicly humiliating the young British officer.

When the recently wed couple returned from their brief honeymoon a letter from Cardigan was awaiting Harry. The contents were going to change his life. In it Cardigan suggested that Flashman may wish to enjoy married life, so wouldn’t want to return to the Hussars. A panicked Flashman returned immediately to London with Elspeth. In a private meeting with Cardigan, Harry found out the real reason for his dismissal from the Hussars. Flashman is a snob, but he’s got nothing on the Earl of Cardigan. The aristocrat doesn’t care if one of his officers is married, it’s more who Flashman has chosen to wed. It doesn’t matter if Elspeth’s father has more money than Midas, he’s a commoner and Scottish one at that, it’s a personal humiliation to Cardigan that one of his nobly born officers is married to a common factory owner’s daughter. Cardigan says that India is the place for Flashman, it’s been the making of many a young army officer before.

This was exactly what Harry wished to avoid by joining the Hussars in the first place. He has an aversion to the colonies in general. To him they’re unpleasant, uncivilised, dangerous places. All Harry Flashman wants to do is play fast and loose in London, and let his pretty uniform and magnificent whiskers attract the pretty young things like moths to a flame. Precious little chance of being able to do that in India. Damn Elspeth’s iron backboned uncle!

Not entirely to Flashman’s surprise, his father agrees with Cardigan. Flashman’s immediate response is to resign from the service. Buck Flashman tells Harry that he can do that, but he’ll have to make his own way if he does, he won’t get a penny out of him from that point on. Buck doesn’t lie where money is concerned. Harry behaves like a spoilt child denied a treat, but Buck stands firm. He even tells Harry that he’s a bad lot, as was his grandfather, but India could be the making of him. He has to take responsibility for his own actions, and going to India is part of that and may even change him for the better. Flashman believes his father’s stand is mostly out of spite, and no doubt there’s a fair amount of that in there, but I believe Buck does think Harry needs to grow up and forcing him to go to India may do the trick. Then of course there’s Elspeth. Harry blames Elspeth for his current situation, and that’s not the case. Buck won’t have it. In a very short time he’s grown fond of Elspeth, he may have even wished the girl was his daughter, and Harry not being around for a long time will in the long run be better for her. Flashman shows some of the depth of his feelings for Elspeth when he says that what upsets him most about his father during this exchange is that he does not believe Harry cares a button about Elspeth. Harry doesn't really fall in love with anyone, not in the true sense of the word, he does kid himself that he was in love with Lola Montez (Royal Flash) and Lakshmibai (Flashman in the Great Game), but the only woman he has ever truly loved is Elspeth.

I need to finish this off by talking a bit about Elspeth. I love Elspeth Flashman. She is one of the best characters George MacDonald Fraser ever created. Many see her through Harry’s eyes, as an indulged airhead. She is most definitely indulged, she’s 'Daddy’s little princess', Morrison’s favourite of his 4 girls, but she is not, as Harry often asserts, stupid. She’s certainly naïve and uncomplicated, but I think she’s highly intelligent. She’s aware of her affect on people, it later becomes apparent that women want to be her and men want to be with her, and she uses it to her best advantage. She does genuinely love Harry, too. Once they’re married, you slight Harry Flashman at your own peril! It’s a shame that Flashman does spend so much time away from home and therefore Elspeth, because readers are deprived of her so very often. Glumly, Harry is left packing his bags for India.

Saturday, April 24, 2010

Fable: Wolves



While the Fables had been dealing with events in the Homelands and receiving delegations from the Arabian Fables where had Bigby been and what was going on with him and Snow and their brood?

Wolves is a 2 part story which largely concerns Mowgli's efforts to locate Bigby and convince him to come back to Fabletown. His payment for this mission will be the liberty of his friend and mentor Bagheera from captivity on the Farm. The problem is that if Bigby doesn't want to be found he's a damn hard man/wolf to track down. Having been raised by wolves Mowgli is better equipped than any other Fable for the job, though. He does eventually find Bigby living in the Alaskan wilderness. Bigby agrees to come back with Mowgli, leaving Sarah, the woman he's taken up with. We don't find out a lot about the attractive native girl (she looked like an indigene to me), but I sensed that there was more to her than met the eye and maybe more than even Bigby realised. I doubt it's the last we've seen of her.

Back on the Farm the cubs are growing like weeds, they even have names now: Darien, Conner, Ambrose, Blossom, Winter and Therese. The artwork and the writing give the 6 of them very distinct personalities that suit their appearances and you can see definite traits from each of their parents within them. With their help of Auntie Rose they're trying to learn how to control their dual natures and their abilities so that in the future they can leave the Farm and live among the wider Fable community out in the Mundy world. The North Wind decides that it's time he went back to his own domain and once again Snow has to explain to her children why the men in their lives keep walking out, little does she know that a certain scruffy wolf is headed back her way.

The main story acr covers the extravaganza that is the comic's 50th issue. Using one of the magic beanstalks that grow on the Farm Bigby climbs up through the clouds and meets his former agent; Cinderella. With the help of a friendly giant (Cindy has developed an alliance with them) Bigby is taken to a gateway between the Cloudworld and the Homelands. Just like back in the war Bigby drops in behind enemy lines.

He's attacked and retaliates savagely in his wolf form, he's ably assisted by his son. Obviously their seventh child located his father and was assisted with controlling his nature and powers.

The purpose of Bigby's mission is to confront the Adversary and explain that any attack on Fabletown will be met with immediate and devastating retribution and to exact some measure of revenge for what happened when the Adversary's wooden soldiers marched on Fabletown. Mission accomplished Bigby arrives back in Fabletown to a low key heroes welcome and collects his payment.

Rose takes Snow out to the area of the Farm that was previously inhabited by the sleeping giants (they're now the Three Little Pigs) and she sees Bigby there. It's a joyous reunion and shows that whatever their previous relationship they are now deeply in love with each other. As payment for what he did in the Homelands Bigby has been gifted the land on the Farm and if Snow wants to they can move the cubs there and raise a family. The reunion between Snow and Ghost (the zephyr child) is touching and beautifully handled.

Sometimes comic book weddings seem overblown and over the top, not this time. The marriage between Bigby Wolf and Snow White was perfect and didn't overdo anything, including the appearance of many of the Fables that the readers had met on the way. It's going to be a real adventure watching how these two deal with married life and the challenges that raising seven very unusual and talented offspring will bring.

The last story in the collection, entitled appropriately Big and Small was about how Cinderella set up the alliance between the Fables and the Giants. I like this feisty secret agent gal that Willingham has turned the former princess into. Beside Mark Buckingham and Lan Medina atist Shawn McManus has followed the style of the Fables the best. In fact, despite his overdone smiles, if I had to choose another artist besides Mark Buckingham for the series, it would be McManus.

Monday, March 1, 2010

Fascination And Fruition

Dave tried something different with the start. The title does not appear on the front page, it's some wonderfully intercut panels which show an awed Cerebus managing to climb off the pile of money bags.

Whilst backing up the stairs he runs into Boobah, who is carrying a pile of folded sheets that obscure his view, so the inept mercenary goes tumbling down the stairs to be followed by an enraged Henrot threatening to rend him limb from skinny limb, until she too trips over the retreating Most Holy.

Cerebus races up to his room to tell Sophia what has just happened, to find her packing. She tells him she's leaving. He asks why. Sophia says that she told herself she would if things didn't get better, they haven't so she's gone. Dave seemed to write a lot from personal experience and I wonder if this wasn't art imitating life. I think the timeline fits for when he and Deni's relationship fell apart.

Initially Cerebus calls for Bear to force Sophia to stay, but then tells him to forget it and stalks down to the cellar, where he pries open a crate of Borealan whiskey. Before the aardvark can get down to some serious drinking the glowing ball of light returns, and this time it isn't a false Elf.

This ball of light talks to Cerebus, it tells him that he didn't even like Sophia, so why did he want to stop her leaving? The one he really wants is dancing in the lower city. Jaka.

Cerebus sees Jaka, the way she was when he first met her and once again he bellows for Bear. The big mercenary asks what Cerebus wants him to forget about this time. Cerebus tells him to go to the lower city and bring him a dancer called Jaka, and he wants her in one piece.

Most Holy goes to the garden on top of the hotel to brood and wait and we readers get to once again appreciate Gerhard's brilliant backgrounds.

Bear returns and advises Cerebus that Jaka is waiting in the middle room of his suite. As Bear and Cerebus are going downstairs to meet Jaka Bear casually drops the fact that Jaka wanted to bring her husband.