Showing posts with label Neil Gaiman. Show all posts
Showing posts with label Neil Gaiman. Show all posts

Wednesday, February 8, 2012

Neverwhere by Neil Gaiman



I've never actually read a Neil Gaiman novel before. I've read the first Sandman collection and Good Omens, there was also a poem in Welcome to Bordertown, but Sandman is a graphic novel and Good Omens was co written with Terry Pratchett, so I was looking forward to the opportunity the list provided me with to check out one of fantasy's hottest properties.

Neverwhere started life as a TV programme, although Gaiman himself said that every time they made him cut something from the programme he said he'd include it in the book. Neverwhere is Neil Gaiman's first actual novel, Good Omens came out some years earlier, but as pointed out above that was a co authored project.

It's the story of Richard Mayhew, an unremarkable young man, who stops to help an injured girl en route to a dinner with his pretty, but shallow and unpleasant fiancee; Jessica, and her powerful media mogul boss, and finds himself rubbing shoulders with all sorts of unusual types in the world of London Below (the Neverwhere of the title), while avoiding Messrs Croup and Vandemar; a team of assassins, who delight in inflicting pain.

Whilst in London Below Richard encounters all sorts of oddities. The creatures who lend their names to places he knows in London Above, the blacksmith who goes by the name of Hammersmith, the shadowy information trader Old Bailey and the Angel called Islington.

Richard is an interesting hero, mainly because he's not particularly heroic. He's not physically imposing, he goes about his daily business efficiently, but quietly, he shies away from any sort of conflict and he's easily rail roaded into things, he doesn't even particularly like Jessica, but he's going to marry her, simply because he doesn't know how to get out of the relationship, which he seemed to fall into by accident. He does however have heroic qualities about him. He's compassionate, he assists Door even though he doesn't have to and he knows it will cause problems with Jessica. He's brave, he hides Door from Croup and Vandemar even though they scare him and he knows that they can physically hurt him. He's loyal, he's the one who takes over when Hunter betrays her companions and him.

The setting was extraordinary although the language Gaiman used wasn't particularly remarkable, this may have been because the novel was essentially an adaptation of a TV show and the initial script relied upon the visual medium to convey to the watcher what they were seeing. London Below is at once strange, dark and dreamlike. There are elements of Alice's Adventures in Wonderland in Neverwhere, although it is darker than Lewis Carroll's work. Neil Gaiman may have a particular affinity with that classic, there is a scene in Sandman that shows a bookcase filled with books that were never written and one of those is a continuation of young Alice's adventures.

Once out of London Below and living his quiet life in London Above, although significantly improved from the one he left, Richard wants to go back to the world where rats talk and you meet mythical creatures at the Floating Market. He does find the world he left behind and the book closes with Richard returning to London Below.

Neil Gaiman hasn't written a sequel to any of his work, but he has occasionally considered returning to the Neverwhere concept. Things have been written, but not completed and it remains to be seen if a new installment will ever appear, it was left open ended enough that this is a possibility if the author ever wants to do so.

It shares similarities with a number of other hidden world type stories, the darkness recalls Clive Barker's Weaveworld, and Simon Green's Nightside series (beginning with Something From The Nightside) set in a hidden London, I read the first one of these and wasn't greatly impressed. I also kept flashing on Catherynne M. Valente's Hugo nominated work Palimpsest and can highly recommend that if for no other reason that an opportunity to read Ms Valente's amazing prose.

Wednesday, February 16, 2011

The King of Elfland's Daughter



The last of the D's, The King of Elfland's Daughter by Lord Dunsany is a real classic.

Edward Plunkett was the eighteenth Baron Dunsany and wrote under his official title of Lord Dunsany. The nobly born author influenced a number of the early fantasists: Lovecraft and Leiber amongst them, I believe Tolkien may have also cited him as an inspiration, and these in turn influenced the next generation and gave us the great fantasy authors of today.

The King of Elfland's Daughter is quite extraordinary. There's a fairly loose and basic plot. The folk of Erl in the fields we know decide that they want a magical ruler and to that end send their Prince Alveric into Elfland to get someone. He returns after some years with a wife; Lirazel, the King of Elfland's Daughter. They have a son; Orion. After trying to live in Erl and understand the Freer (which seems to be the Catholic Church) Lirazel pines for her home and leaves. Unable to live without her, Alveric follows, but is unable to find the way back to Elfland and wanders lost in the wilderness for years. Without the influence of either mother or father, Orion grows up wild and lives to hunt, shockingly his prey of choice is the unicorns that sometimes stray into the fields we know from Elfland. Eventually Elfland and Erl merge and the family is reunited.

What stands out about The King of Elfland's Daughter is Dunsany's incredible imagination, his vision of Elfland, which most modern writers tend to call faery, Dunsany's ideas have been taken and used by writers since, it's been added to and altered, but it was his original vision that set the building blocks. Then there is the prose. Dunsany was a master with words and he chose them very carefully with The King of Elfland's Daughter. The prose was beautiful and lovingly written, it fitted the mood that Dunsany was trying to convey during that section of story.

It was hard to get to know the characters and the main 3 tended to fit stereotypes, there was a fourth character which was a lot of fun and that was the troll; Lurulu. Lurulu is no under the bridge type troll. He's a small, mischievous and loyal character. He's more like a pixie than a troll, he and his whimsical behaviour provided a number of the book's most amusing moments.

Neil Gaiman's Stardust which was also made into a film, seems similar in tone and theme to The King of Elfland's Daughter. Gaiman wrote the introduction to my edition of The King of Elfland's Daughter, so he may be another author influenced by Dunsany. I felt that Tad Williams The War of the Flowers shared something thematically in that the heart of it is a person from our world crossing into a very cpmpletely realised and revolutionary view of faery.

Wednesday, December 8, 2010

The Last Dragonslayer



I’m a Jasper Fforde fan. I have been ever since I stumbled across The Eyre Affair and was instantly hooked by his inventive and quirky way of writing. I’ve recommended The Eyre Affair to everyone I can and regard it as one of my top 10 favourite books ever. Fforde first started to move away from the alternate 1985 he had created for the Thursday Next adventures and the related world of Bookworld with the first of a new trilogy: Shades of Grey The Last Dragonslayer continues that progression, moving into the ever growing field of YA literature.

Jasper Fforde is the most recent successful SFF adult author to write for YA, the number is growing rapidly and it’s no longer just the prerogative of Neil Gaiman and Terry Pratchett to write books for a younger audience. Aside from the book being a Fforde and also a departure from his best known work, I found it interesting, because I hadn’t heard anything about it and had virtually no knowledge beyond being familiar with the author’s work.

The Last Dragonslayer is set in a typically ‘Ffordeian’ world. An alternate England, this one is called the Ununited Kingdom and the country seems fragmented into a number of kingdoms and duchies along the lines of counties and shires. Magic works in this world, although it’s on the way out. Fforde has also populated it with some of the odd flora and fauna that he’s fast becoming known for. Marzipan appears to be a drug and a source of power. I defy anyone not to fall in love the quarkbeast, a small, feisty, fiercely loyal creature with five rows of razor sharp teeth and the seeming ability to ingest almost anything. The central character is fifteen year old Jennifer Strange. Jennifer is a foundling brought up and cared for by the Sisters of the Lobster, and as such was indentured out to the Kazam magical agency some years ago, she has 4 years of her indenture left. Despite her tender years she’s a remarkably capable girl and is largely running the agency on her own, she later gets another foundling assistant; the improbably named Tiger Prawns. Jennifer was very much like a younger version of Thursday Next, she had Thursday’s outlook on things and handled events and people with the same no nonsense approach. The big sister, little brother relationship between her and Tiger was, for me, one of the book’s highlights.

Jennifer inherits the title and responsibility of being the UK’s one and only dragonslayer, as the last dragon is the mighty Maltcassion and Jennifer has been prophesied to kill him on Sunday, she’s also the last dragonslayer. It’s not a responsibility the girl asked for or wanted and unless she can think on her feet and stay one step ahead of the people that want to use her, largely everybody from King Snood IV down, then she could also usher in the end of the world as she knows it.

This was a lot of fun and I enjoyed navigating through the new world Fforde created for his YA romp. In some ways it’s actually better drawn than Thursday’s world. At times it seems like our world (Einstein existed and so do Volkswagons) and at other times it is so far removed (carpets fly, magic works and then there are the quarkbeasts). The dragons owe more to Naomi Novik than they do to JRR Tolkien. I finished it and was satisfied with the end, I thought it was a standalone, it was only when I did a bit of research for the review that I discovered it’s the first of a trilogy. Like the works of Pratchett and Gaiman, while The Last Dragonslayer, was written with a younger audience in mind, it does not talk down to it’s readers and can be read and enjoyed by the author’s grown up fans and in fact anyone who’s fond of clever and fun SFF.